Thoughts on Martin Speake’s Universal Connections, 9 March 2022

Surprise! Hans Koller plays great Euphonium as well as  very fine piano. That is, his playing that is very fine, but he does like our piano.

Martin Speake brings a band of heavy listeners: himself on alto, Hans, Anders Christenssen on bass and Anders Mogensen on drums. Indeed, this is music that requires listening. It is filled with lyricism and emotion, built on great technique and a band in each others minds. I have no favourites. Most of the music is from Martin’s hand. One, “Balance”, is recognisably based on Parkers “Moose the Mooche”.

Our audience are great listeners too, and they enjoyed the gig thoroughly.

Steve Jordan has provided us with a set list. Martin does not announce all of hs songs, but Steve did very well.

  1. Bouncy (Martin Speake
  2. Unannounced (but very likely from the Universal Connection recording)
  3. Unannounced (but very likely from the Universal Connection recording)
  4. Four Four (Martin Speake)
  5. What is there to say? (Vernon Duke/Yip Harburg)

A jazz standard performed by Johnny Hartman, Nat King Cole and Gerry Mulligan

  1. Father Sky (Martin Speake)

       *          *          *           *         *        *        *

  1. Balance (Martin Speake)

Based on Charlie Parker’s Moose The Mooche)

  1. Heaven Energy (Martin Speake)
  2. Dissolving Illusions (Martin Speake)
  3. 10.Conspiracy Observer (Martin Speake)
  4. 11.Unannounced 
  1. 12.ENCORE: Unannounced
  2. Take care
  3. Dave

On Wednesday, 22nd June 2022: Terry Seabrook’s Milestones play Kind of Blue, £22.

Martin Shaw Trumpet

Alan Barnes Alto sax

Andy Panayi Tenor sax

Terry Seabrook Piano

Paul Whitten Bass

Spike Wells Drums

This was arguably the best concert I have heard in Gateshead Town Hall since Sonny Stitt took it apart in the 1960s . . .

Bebop Spoken Here

Miles Davis and his sidemen made musical history when they recorded the iconic album Kind of Blue. They created a unique atmosphere of understated themes and improvisation and Kind of Blue went on to become one of the greatest and best loved jazz recordings of all time.

More than sixty years on, Terry Seabrook has assembled an all-star sextet, Milestones, to revisit the album and celebrate the music of Miles Davis. The band has toured extensively at clubs and festivals around the UK.

The album line-up reads like a “who’s who” of British jazz, with the fabulous Martin Shaw (Cleo Laine, John Dankworth, Peter King, Tim Garland) taking on the Miles role. Also in the “who’s who” bracket are Fleece Jazz favourite and multi-award winner Alan Barnes on sax, along with the magnificent Andy Panayi and a first-rate rhythm section, pianist Terry Seabrook, bassist and Spike Wells on drums.  The band pays due respuect to Miles’ original music whilst allowing the musicians to showcase their own brilliance and improvisational skills.

. . . thoughtful and considered, yet full of jazz potency

–  Peter Vacher Jazzwise

 

On Wednesday, 10th August 2022 – Horn Factory, £18.

A welcome return for this fantastic outfit who, since 1998, have been bringing together some of the area’s top musicians to create their own distinct brand of fast-moving, hard-hitting, foot-tapping contemporary big band jazz.

Nineteen of the best local jazz musicians come together and share their passion for big, bold, beautiful music.

Horn Factory perform an impressive and extensive range of contemporary big band jazz by composers such as Buddy Rich, Bob Mintzer, Quincy Jones, Oliver Nelson, Maynard Ferguson, James Morrison, Bobby Shew, Sammy Nestico and Gordon Goodwin, plus arrangements of music normally associated with smaller groups, including Thelonious Monk, Joe Henderson, Chuck Mangione, Chick Corea and Horace Silver.

Most of the charts have been composed in the last 15 years, bringing the big band genre right up to date with music that absolutely crackles with energy!

Eighteen fine musicians on the extended Fleece Jazz stage gave us a mighty gig. I love the sound of a horn chorus, but to have fourteen of them in chorus was really something else: loved it.

–  Dave Lyons, Fleece Jazz

 

On Wednesday, 24th August 2022: Zoe Schwarz’ Blue Commotion, £18

Zoe Schwarz Vocals

Rob Koral Guitars

Pete Whittaker Organ

Paul Robinson Drums

Some quotes from live gigs:

“A different level of class. Zoe’s vocal: powerful yet vulnerable. Rob, Pete and Paul turned out a masterclass in Schofield-esque sophistication”

“This is a band of exceptional quality, fronted by the stellar vocals of Zoe Schwarz; you really shouldn’t miss the opportunity to enjoy them” 

“Powerful singing, great guitar work, phenomenal Hammond… a great set and Zoe is such a stylish performer”

I had not intended using so many quotes, but so many good things have been written about this outfit. Of Zoe: “She also sings with honesty, emotion and intensity” (David J.Scott, Blues Revue)

And from Zoe herself:

“Blues isn’t about twelve bars. It’s about passion and melancholy; it’s about world weary angst.” 

Come join us for blues at its best.

On Wednesday, 8th June 2022: Sara Oschlag/Jonny Hepbir Quartet, £18

Sara Oschlag Vocals

Jonny Hepbir Guitar

Jason Henson Guitar

Dan Sheppard Bass

Sara has a beautiful voice, a natural musician’s ear and a superb sense of swing. Jim Mullen says of her, “She displays a maturity beyond her years in her song selection as well as her interpretation and whether swinging hard or caressing a ballad, Sara takes the listener on a journey, breathing new life into the old standards”.

She says, “Being a musician is teamwork. You gotta listen to each other & support each other musically: be the foundation, guide or give space. But always listen & look around. Without communication there is no jazz. “ And she has a very fine team.

A quote about the band: “”you guys are good… really good!” (Sir Paul McCartney). 

The band offers a vibrant blend of Gypsy Swing, funky Latin tunes and cool Jazz Standards, spanning across the 1920s, 1930s and 1940s, all mashed up with some snappy arrangements and played from the heart.

 

On Wednesday, May 11th, 8:00pm – The Gaz Messengers, £20

Gaz Hughes Drums and Bandleader

Alan Barnes Saxes

Bruce Adams Trumpet

Andrzej Baranek  Piano

Ed Harrison Bass

Tonight, drummer Gaz Hughes will honour the music of one of the true jazz drumming greats in a glorious quintet with Alan Barnes on saxes, Bruce Adams on trumpet,  Andrzej Baranek  on piano and Ed Harrison on bass. The art of ‘Jazz Messenger’ Art Blakey (1919–1990) – described by fellow drummer Max Roach as ‘Thunder’ – is captured superbly by Hughes.

The feel-good factor is there: this band’s easier-swinging interpretation is refreshing, with Bruce Adams’ piercing trumpet improv a stand-out. The entire ensemble sparkles as one; and whilst classic jazz numbers are just that, it will be great to hear them portrayed by today’s players and with their depth and clarity.

On Wednesday, 25th May 2022 – John Law’s Re Creations, £18

John Law Piano

Sam Crockatt Saxes

Hendrik Jensen Bass

Alex Goodyear Drums

“. . . so full of joy that it can renew your faith not just in jazz, but in music itself”

Independent on Sunday

A prize-winning classical prodigy on piano, John turned away from classical piano studies to pursue jazz and improvised music when he was 23, and has been involved in, and acclaimed for, a wide variety of contemporary jazz and classical projects ever since – from solo piano concerts and albums, trio and quartet tours and recordings, to large scale works for his semi-classical ensemble Cornucopia.

Formed in 2016, as a counterfoil to pianist John Law’s group Congregation (which mixed contemporary jazz with electronic sounds and backing tracks), Re-Creations began life as a fun project, with the aim of playing many different tunes from different musical genres. The fact that audiences almost always knew the songs, meant the group’s material was at the same time very accessible.

This quartet’s repertoire includes jazz classics by Thelonious Monk, Miles Davis and George Gershwin, plus tunes from pop/rock/indie bands such as Pink Floyd, The Beatles, Stevie Wonder and Radiohead. Gradually, classical pieces have started appearing in the repertoire, including a version of the Kyrie from Rossini’s Petite Messe Solenelle and Satie’s Gymnopédie.

“Melodic contemporary jazz with a strong rhythmic pulse and some strikingly memorable and original tunes”

–  Sandy Brown Jazz

 

Thoughts on Simon Thorpe’s “Jivin’ Miss Daisy”, 23 February 2022

We had a thoroughly enjoyable fun evening with this superb band. I have to confess that with 9 musicians, four of whom sang, there were very many mics on stage. There were a multitude of  opportunities for feedback. An eagle eye was needed on the desk. I did not have time to write notes.

So I can’t walk your through the songs, but I can say a bit about the band members. Just to say that I enjoyed every solo and the stunning horn choruses.

The revelation was Liz Fletcher. What a beautiful singer: great voice, great presentation, very sexy. She belted with the full band accompanying, and purred in the duet with Simon on bass. 

Simon Thorpe has been mothering this band since 1999. His arrangements are wonderful, and the programme was nicely variable. There was even some audience dancing to the faster numbers! Surprise,Simon sings as well. 

George Hogg  stepped in for Enrico Tomasso at the last moment. George is a delightful trumpeter. He went through quite a variety of mutes during the show. His flugel playing is mellow but still clear.

Malcolm Earl Smith Is a fine jazz singer and excellent trombonist.

Luke Annesley played alto sax and clarinet. His clarinet playing seemed  to me to be influenced by Arty Shaw, not a bad model.

Alex Garnett blew a storm on the tenor sax. He was a backing singer on one song, very good.

Colin Oxley on guitar was, as always, a real pleasure to hear.

John Pearce has played for us many times. His mastery of the piano is alway welcome.

Matt Skelton (as seen on the proms) plays the room so well.

In two weeks time, Martin Speake’s “Universal Connections”: lyricism, subtlety and great musicianship.

Take care,

Dave

Thoughts on Nighthawks: Jazz from the Movies – 9 February 2022

This band was a delight from first note to last. We had a programme of film related music: some from the movies, and some by our leader, Bassist George Trebar  It was so nice to have people who had not played for us before: George, Pete Hill on drums and pianist Roy Hilton. Altoist Matt Wates is  often with us and so welcome.

I will append the set list from Steve Jordan. It is difficult to pick out highlights as all the solos hit the spot. The first two tunes set the tone for us, by which time the band was at home with the space and the audience. Some were surprised at the fact we have a listening audience, and found that great to play to.

The theme from the file “Taxi Driver” had solos from Matt and George that told the story beautifully. Similarly on “Laura”, Georges bass solo, with strong use of vibrato caught the mysterious edgy story that the lyrics tell. I love instrumentalists who tell stories.Matt always seems to tell a story with his solos.

“Night Owls” was one of Georges tunes. Both Roy and Pete had excellent solos on this one.

I hope we see this group again soon. They were having a great time, so so did we.

Take care,

Dave

 

Set list:

  1. On Green Dolphin Street (Bronislaw Kaper)

Performed by Miles Davis and Bill Evans amongst others. From film of the same name from1947

  1. Night Owls (George Trebar)
  1. Stella by Starlight (Victor Young)

From film, The Uninvited. Has been performed by Miles Davis, Ella Fitzgerald and Frank Sinatra amongst others.

  1. Theme from Taxi Driver (Bernard Herrmann)
  1. Laura (Johnny Mercer/David RaskinDune”.) From film of the same name from1944.
  1. Maudib (George Trebar) For the hero of the novel, “
  1. Gone with the Wind (Allie Wrubel/Herb Magidson)                      Popular song performed by Frank Sinatra and Clifford Brown amongst others. Not related to the film.

       *          *          *           *         *        *        *

  1. Invitation (Bronislaw Kaper) Originally used in the film, ‘A Life of her Own’, but it only became a jazz standard after being used in the 1952 film of the same name.
  1. Midnight Cowboy (John Barry)
  1. 10.What are you doing the rest of your life? (Michel Legrand) from the film, ‘The Happy Ending’ (1969)
  1. 11.Sal’s Paradise (George Trebar)

Inspired by a character from Kerouac’s ‘On The Road’ about the Beat Generation.

  1. 12.If I Were A Bell (Frank Loesser) from the musical, ‘Guys and Dolls’ (1950)
  1. 13. Just Friends (John Klenner). Performed by Chet Baker in his 1988 film, ‘Let’s Get Lost’. It is a jazz standard that has been performed by Sarah Vaughan, Dexter Gordon, Charlie Parker amongst others.
  1. 14.ENCORE: Straight, No Chaser (Thelonious Monk)

 

Thoughts on Blue Spirit, John Etheridge’s Trio on 26 January 2022

I have had lots going on at home, so I have just got around to writing about this delicious gig. So this will be a short one from me.

We had John Etheridge on just one guitar but a load of stomp boxes (up high on a music stand, finger stomp). On organ was Pete Whittaker, and George Double was on drums. This trio has lots of history, and they knew each other well. It was the three people, one mind thing. And this while having a huge amount of fun, as did the lovely audience.

The funky bluesy programme was all a delight, and John’s chat was great fun as always I am going to finish off with a set list of the programme written by Steve Jordan, for which much thanks.

Take care

Dave

 

Set list:

  1. Careless Love (W.C. Handy/Spencer Williams)

Best known by Madeleine Peyroux’s version

  1. Georgia On My Mind (Hoagy Carmichael/Stuart Gorrell)

Best known by Ray Charles’ version

  1. Secret Love (Sammy Fain/Paul Francis Webster)

Best known by Doris Day’s versionfrom Calamity Jane , later covered by Kathy Kirby

  1. Broken Hill (John Etheridge)

Best known from Soft Machine era

  1. Cold cold heart (Hank Williams)
  1. Do Like Eddie (John Scofield) Dedicated to Eddie Harris

       *          *          *           *         *        *        *

  1. God Bless The Child (Billie Holliday & Arthur Herzog Junior)
  1. Msunduza (Abdullah Ibrahim)

Performed when Ibrahim was with Dollar Brand

  1. First Moves (Sonny Rollins)
  1. 10.Cause We’ve Ended As Lovers (Stevie Wonder)

Best known by Jeff Beck’s performance on ‘Blow by Blow’ but also performed by Syreeta on ‘Stevie Wonder presents Syreeta’

  1. 11.Sealed with a Kiss (Peter Udell and Gary Geld)

Best known by Brian Hyland

  1. 12.Wabash III (John Scofield)
  1. 13.Distant Voice (John Etheridge)
  1. 14.ENCORE: I’m Going Home (To See My Baby) (Gene Vincent)