Join us for an intimate evening of impressionistic harmony and pure beauty as we experience the lyrical compositions of the iconic pianist and multi-instrumentalist Bill Evans. Conversations with Bill explores the repertoire and recordings, compositions and piano style of this great and most distinctive of all jazz pianists.

Like many of his peers, Bill Evans’ short life was challenged by both his genius and the challenges that faced his generation, but he left a legacy of stunning and very beautiful music that still influences musicians of today. Presented by musician, educator and broadcaster Adrian York, this promises to be a truly interesting and inspiring session.

Dr Adrian York began his musical career in the early 1980s as a member of a swing-pop band Roman Holliday. He then worked for a plethora of artists from the worlds of pop, jazz and light entertainment including Jimmy Ruffin, Shirley Bassey and Paul Young. In the jazz world he has performed with Ian Shaw, Ronny Jordan, Jean Toussaint, Tim Garland, Tina May and Alan Barnes as well as being musical director for a host of Jazz FM live acts.

Paul Whitten has been described as “the best jazz bassist in the South of England” by promoters of the Swanage Jazz Festival. Another music critic said that “Paul Whitten played very sensitively. His tone is sweet and woody – not too much bass or treble. I really like Paul’s solo style. His lines are more like those you would want to sing. His solos are sweet and very clean, melodic.”

Mark Fletcher is one of the UK’s most versatile and in demand drummers.  Equally at home in straight ahead jazz, free improvised music, rock and world music, Mark was the house drummer at Ronnie Scott’s for 12 years and has played there and in leading venues around the world since the late ’80s. Amongst others, he has worked with Dizzy Gillespie, Mark Murphy, Michel Legrand, James Moody, Dave Gilmore, Tim Garland, Liane Carroll, Norma Winstone, Georgie Fame, Ian Shaw, Cedar Walton and Kenny Wheeler. Mark also leads his own band, Fletch’s Brew, renowned for playing original compositions and new arrangements from across the jazz canon.

“Art Blakey’s message is in safe hands. Wakey Blakey should be prescribed by the NHS as a tonic for all ailments affecting humankind.”– Trevor Bannister, The Jazz Mann

‘Wakey Blakey’ is a new band featuring some of the finest talent on the British Jazz scene playing the music of legendary drummer Art Blakey and the Jazz Messengers but with the lesser-known sextet line-up as exemplified by the stellar 1960s front-line of Freddie Hubbard, Curtis Fuller, Wayne Shorter, Cedar Walton, Reggie Workman and Art himself. Led jointly by Rory Ingham and James Davison, this project demonstrates hard bop with a frighteningly fresh feel; the music is wildly high-energy and unbelievably swinging.

Of the two joint leaders, Rory Ingham (Jam Experiment, Bonsai), a first-class honours graduate of the Royal Academy of Music, is also an educator and composer. While still a student he was a runner-up in the 2016 Trombonist of the Year, winner of the 2017 British Jazz Awards Rising Star, and in 2018 winner of the British Trombone Society Awards. Jazzwise magazine credited his “effortless virtuosity” while London Jazz News described his style as “richly melodic…”. The other joint leader, James Davison, while still at the Royal Academy of Music was winner of both the Smith-Watkins Trumpet Award (2016) and the Musicians’ Company Young Jazz Musicians Award (2018). A brilliant award-winning trumpeter, he graduated with an MA in Jazz Performance and for this project he undertook the mammoth task of faithfully transcribing the Sextet arrangements from the original albums on Riverside and Blue Note.

Alex Garnett has been one of the leading saxophonists in the UK and Mainland Europe for over two decades, being instantly recognized by his dark, husky sound. A versatile musician and first call sideman, he has enjoyed success as both a jazz artist, composer and arranger, and an in-demand session, studio and commercial saxophonist, having racked up countless recording credits along the way.

Matt Carter studied jazz piano at The Royal Academy of Music under the guidance of Nikki Iles, Tom Cawley and Gwilym Simcock, and studied composition with Pete Churchill.. During that time Matt was involved in some incredible projects including a big band project with Chris Potter and Dave Holland, a small band project run by Laurence Cottle and a symphonic brass project run by Mike Lovett. According to Jazzwise magazine “Carter’s own piano is as tasteful and neatly phrased as you could wish.”

Award-winning, London-based jazz bass player, composer and arranger Misha Mullov-Abbado is a musician who combines great imagination with raw talent and a clear vision. A BBC New Generation Artist and with a “melodic gift” (John Fordham, The Guardian) and ability to masterfully combine beautifully-crafted compositions with free-spirited improvisation.

Taking the role of Art Blakey is Luke Tomlinson, a London based professional musician, drummer, band leader and educator. Since graduating in 2019 from the Royal Academy of Music with a First Class Honours Degree, Luke has begun to firmly establish himself as one of the most in-demand young musicians in London, performing regularly at some of the most prestigious venues in the UK, include the Royal Festival Hall, the Barbican, Birmingham Symphony Hall, Ronnie Scott’s Jazz Club, Jazz Café Camden as well as a number of performances on BBC Radio 2 and Radio 3.

We’re looking forward to a brilliant evening of swinging, high energy jazz.

“One of the most impressive jazz drummers today” – The Times

Clark Tracey, a multiple winner of Best Drums in the British Jazz Awards, returns with a new quintet, again featuring some of the most gifted young jazz musicians. Alex Clarke, who won Rising Star in the British Jazz Awards two years ago and bassist James Owston were both past finalists in the BBC Young Jazz Musician of the Year competition while Emily Masser is a 20-year-old rising star vocalist. Graham Harvey, one of our most experienced pianists who, over three decades has played with many top jazz and pop artists, including George Benson and Stacey Kent, completes a great line up.

Clark Tracey, a well-established jazz master, recognised as a most inventive jazz drummer, is a proven group leader, writer and arranger, having appeared over many years with the world’s jazz greats. He creates educational Master Classes across the U.K. and continues to be an in-demand performer across the world. 

Alex Clarke performs a range of genres from New Orleans to bebop and her musical voice is steeped in the tradition of jazz. Her deep respect for the heritage of the music can be heard in her swinging, melodic sound which is reminiscent of Scott Hamilton and Lester Young and also heavily influenced by Phil Woods and Cannonball Adderley.

From 2006 to the present Graham Harvey has been the pianist for singer Stacey Kent, touring extensively and recording several albums for Blue Note, including the Grammy nominated ‘Breakfast on the Morning Tram’. He is a much sought after freelancer who has played with major artists including Dave O’Higgins, Alan Barnes, M People, Chaka Khan, Jocelyn Brown and Mica Paris.

20-year-old vocalist Emily Masser currently studying jazz vocals at the Guildhall School of Music is an astonishing vocalist. Her vocalese has already introduced her to hardened jazzers, including Claire Martin and Liane Carroll who have both endorsed her and invited her to sit in with them.

James Owston is a graduate of the Royal Birmingham Conservatoire who joined the Clark Tracey Quintet in 2017. As well as being an active sideman, James leads his own groups, notably ‘The James Owston Mingus Quintet’ that focuses on the compositions and style of the great Charles Mingus, a strong influence for James as a bass player and composer.

“(Alex Clarke is) one of the UK’s finest young jazz talents” – The Jazz Rag

“(Alex Clarke has a) strong and full sound… swinging, melodic and refreshingly cliché-free” – Jazz Views

“Harvey is very much one of the unsung heroes of British jazz and the wider music scene as a whole” – The Jazz Mann

“A vibrant and moving homage.” – Downbeat

Classical organist, violinist, singer, beloved and endearing comic performer, a star of stage and TV in the ‘60s and a Hollywood movie star from the ‘70s . . .

Dudley Moore was not only blessed with all these varied talents and attributes, but he was also one of the UK’s most dazzling, swinging jazz pianists, and a composer of wit and depth – something that has sadly been overlooked for far too long. This has now been redressed, thanks to long-time Dudley Moore fan, pianist Chris Ingham.

The Chris Ingham Quartet revisit the Dagenham-born musician’s fabulous 1960s Decca jazz trio albums, the groundbreaking satirical revue ‘Beyond The Fringe’, the TV show ‘Not Only, But Also’ and the brilliant movie soundtracks for ‘Bedazzled’ and ‘30 Is A Dangerous Age, Cynthia’, in an evening packed with music and anecdote, with pianist and raconteur Chris very ably setting the 1960s scene, placing Dudley’s music in period context.

Joining Chris on trumpet is Paul Higgs, a highly accomplished and respected trumpet player with an impressive career in many fields including performing, composing and arranging music for film, TV and theatre. Simon Thorpe is one of the UK’s best-known jazz bassists who has worked with many of the great UK and US names in jazz, recording and touring with Bobby Wellins, Stacey Kent , Bheki Mseleku, Alan Barnes, Elaine Delmar, Scott Hamilton, Benn Clatworthy and Ray Gelato. George Double is active on the British jazz scene and appears regularly at Ronnie Scott’s club in London and elsewhere as a freelancer with Chris Ingham, John Etheridge, Art Themen, Digby Fairweather, Derek Nash and many others.

“Unfailingly tuneful and spiced with gentle harmonic guile . . . Dudley would have been delighted.” – The Observer

“. . . a worthy tribute to one of the British jazz piano greats.” – Bebop Spoken Here

“Classy product . . . with plenty of the right kind of swing.” – Jazz Journal

”Swing, humour and poignancy . . . a jazz joy.” – MOJO