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On Wednesday 21 February, Some Kinda Wonderful – The Music of Stevie Wonder £25
Noel McCalla Vocals
Derek Nash Saxophones
Neil Angilley Keyboards
Tim Cansfield Guitar
Jonathan Noyce Bass
Nic France Drums

Celebrating the genius of Stevie Wonder throughout his entire career, the mesmerising vocalist, Noel McCalla, and award-winning saxophonist, Derek Nash, together with a band of top musicians play a wide-ranging back-catalogue of Stevie Wonder’s classic hits from ‘For Once in My Life’, ‘Signed, Sealed, Delivered’ through to hits from ‘Talking Book’, ‘Innervisions’, ‘Songs in the Key of Life’ and “Hotter than July’. From dance floor classics “I Wish’ and ‘Superstition’ to beautiful arrangements of ‘My Cherie Amour’ and ‘Overjoyed’.
Noel McCalla’s long association with the brilliant Morrisey Mullen Band earned him acclaim as “one of Britain’s best Soul Singers” (Blues and Soul Magazine) and, for more than 19 years, Noel’s searing, soulful vocals were featured with the iconic Manfred Mann’s “Earth Band”.
Derek Nash has played with Jools Holland’s Rhythm and Blues Orchestra since 2004 and is also a member of the Ronnie Scotts Blues Explosion. He has won several British Jazz Awards throughout his career fronting Sax Appeal, his Acoustic Quartet and the funk band, Protect the Beat.
The all-star band features musicians whose credits include Bill Withers, The Bee Gees, Gary Moore, Michael Ball and Alfie Boe. Neil Angilley was keyboard player with Grammy nominees ‘Down to the Bone’ and has co-written and played on many of their No.1 albums. Trinidadian Tim Cansfield is a self taught musician; this enigmatic and self-effacing genius has played with the Bee Gees, Steve Winwood, Billy Preston, Chaka Khan, Tina Turner, Whitney Houston, Annie Lennox, Seal and many more. Jonathan Noyce has been a member of Jethro Tull, a sideman to the late great blues guitarist Gary Moore and is a member of French Superstar Mylene Farmer’s band. Nic France has been one of the UK’s most in-demand drummers performing with, among others, Ian Carr’s ‘Nucleus’, Ronnie Scott, John Taylor, Jim Mullen, Bobby Wellins, Mose Allison, Billy Cobham, Django Bates and John Parricelli. He was also a founding member of ‘Loose Tubes’.
“Rarely have I heard the music of Stevie Wonder interpreted with such finesse, energy and all-round brilliance.” – The House of Soul.
On Wednesday 24 January, Cannonball and Nat – £18

Pete Long Alto Sax
Ryan Quigley Trumpet
Chris Ingham Piano
Malcolm Creese Bass
George Double Drums
The leader of Ronnie’s Scott Big Band, Peter Long together with Ryan Quigley front an exciting salute to a legendary team of jazz brothers; dazzling virtuoso alto saxophonist Julian “Cannonball” Adderley and ingenious soul-jazz architect and cornetist Nat Adderley.
The Cannonball Adderley Quintet featured Cannonball on alto sax and his brother Nat Adderley on cornet. Cannonball chose to play the alto despite his first love being the tenor because saxophones were in short supply in 1942 when he started playing at the age of 14. He developed a hard, explosive style, an influence from listening to Charlie Parker. Together with his brother, Nat, the famous quintet played a lot of blues-, funk- and gospel-influenced jazz based on what they heard being played by Charlie Parker, Dizzy Gillespie and Miles Davis.
Pete and Ryan are lovers of the music of the quintet and are the ideal musicians to play it today. Pete studied at the Royal London College of Music and after a couple of years joined the National Youth Jazz Orchestra, playing all five saxophone parts, solo flute, bass guitar, and on one rather messy occasion, the fourth trumpet. In future years, he went on to play with the award-winning sax quartet, Itchy Fingers, working with Dizzy Gillespie, John Scofield and Chick Corea amongst others. A five-year stint playing and arranging for Jools Holland’s Rhythm and Blues Orchestra saw him work with Tom Jones, Norah Jones, Solomon Burke, Dr. John, Lulu, Georgie Fame and Lionel Richie to name but a few. In recent years, Pete’s career has been divided into education, working in master classes and as a soloist with young musicians all over Britain. It is, however, as a bandleader and orchestrator that Pete spends most of his time currently.
Ryan Quigley is an award-winning jazz and lead trumpet player and an in-demand studio musician, composer, arranger and educator. His recording and touring work includes dates with Quincy Jones, Ron Carter, Aretha Franklin, Harry Connick Jr, George Michael, Gregory Porter, Beverley Knight and Tom Jones.
Our friends Chris Ingham and George Double are always welcome at Fleece Jazz for their virtuosic playing and for themselves.
“Pete Long is a national treasure” – The Observer
“Quigley…bright, inventive and vivacious” – The Jazz Mann
On Wednesday 10 January, “Q3”, featuring Kevin Flanagan – £18
Kevin Flanagan Saxophone
Martin Hallmark Piano
Tiago Coimbra Bass
Derek Scurll Drums

Q3 was formed in 2013 and brings together some of the UK’s finest jazz musicians in an exciting blend of superbly crafted original music and virtuosic performance. The music combines jazz, funk, latin and fusion elements with intricate melodies, influenced by Michael Brecker, Chick Corea, Marcus Miller and Robert Glasper.
Nigel Price says “Martin Hallmark – pianist and composer, leads this tight unit, comprised of master multi saxophonist Kevin Flanagan, super groovy Tiago Coimbra on 5 string electric bass and [our drummer for this gig is multi instrumentalist Derek Scurll]. The album of instantly accessible, mostly funk/fusion original compositions is recorded in crystal clear quality and played deftly with passion as well as eyebrow raising virtuosity from these gifted, empathetic musicians. There are moments of beauty too, especially on the waltz – ‘Tarka and the Mount’. A fine body of work from a great band.”
Martin is the driving force here: many of the compositions and all of the arrangements are from his pen. Kevin’s quartet was our Christmas gig in 2019, and the gig was adored by our audience.
On Thursday 28 December,”Ben, Bean, Bird and Barnes” – £20

Alan Barnes Alto sax
Vasilis Xenopoulos Tenor Sax
Jim Watson Piano
Andrew Cleyndert Bass
Clark Tracey Drums
Paying homage to three of the most influential giants of Jazz, this outstanding quintet, led by Alan Barnes, celebrates the music of each of them. One of the great tenor saxophonists in early jazz history, Ben Webster was considered one of the “big three” of swing tenors along with Coleman Hawkins, who was Webster’s main influence, and Lester Young. With a warm breathy sound on ballads that’s instantly recognisable and a tough raspy tone on stomps, Webster was Duke Ellington’s first major tenor soloist in the ‘40s. Coleman Hawkins, nicknamed “Bean”, was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser with an encyclopedic knowledge of chords and harmonies, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor. Charlie “Yardbird” Parker practically invented Modern Jazz with bebop along with his contemporaries Dizzy Gillespie and Bud Powell and shaped the course of 20th century music. Rather than basing his improvisations closely on the melody as was done in swing, “Bird” was a master of chordal improvising, creating new melodies that were based on the structure of a song.
Alan Barnes has been at the forefront of British jazz since 1980 and his musicianship and sense of humour have made him hugely popular in jazz clubs and festivals across the UK and beyond. He is best known for his work on clarinet, alto and baritone saxes, where he combines a formidable virtuosity with outstanding musical expression.
Come and join us for what promises to be a gig full of outstanding tunes from the golden eras of swing and bebop played with passion and musical verve.
On Wednesday 13 December, Ed Jones’ Quartet – £18

Ed Jones Tenor sax
Ross Stanley Piano
Riaan Visloo Bass
Tim Giles Drums
“A formidable saxophonist . . . an improviser to his fingertips, a player of forceful imagination, and one of the UK’s most distinctive saxophonists.” John Fordham, The Guardian
Award-winning saxophonist Ed Jones returns to Fleece Jazz with his brilliant contemporary jazz quartet. A mainstay of the London Jazz scene since the late 1980s, expect beautifully poised music as Ed and the band play recently composed new music as well as material from their highly acclaimed 2018 recording “For Your Ears Only.”
Based in London for over 25 years, Ed works in the UK and internationally with a wide range of his own projects and collaborations. His experience as a sideman reflects his diverse musical interests, having worked with Free Jazz pioneers John Stevens and Evan Parker; US jazz legends Horace Silver, George Benson and Dianne Reeves; leading UK jazz musicians such as Jason Rebello, Don Weller and Byron Wallen; crossover projects such as Us3 and Incognito through to RnB legends such as Chaka Khan, Tina Turner, Carlene Anderson and Omar. He has been described as “one of the most fluent and forceful saxophonists in Europe” (Jack Massarik, Evening Standard) and “inventive, physical, full of life, on the edge and unmistakeably of today” (Chris May, All About Jazz).
Ed is joined by widely respected and frequent Fleece Jazz visitor, Ross Stanley, on piano. Constantly in-demand for his flowing creative and lyrical playing, he always serves the music and is universally revered by fellow musicians and the wider listening public alike. Bassist Riaan Vosloo is involved in a wide number of projects as a producer, arranger, composer and performer, including leading lights in the UK Jazz and improvised music scene such as Run Logan Run and Ben Lamdin aka Nostalgia 77. Drummer Tim Giles first made an impression at the age of 12 by winning the Daily Telegraph Young Composer of the Year Award in 1992. While still in his teens, Tim performed internationally with saxophonists Iain Ballamy and Stan Sulzmann and his current regular projects also include Ben Lamdin’s Nostalgia 77 and the Tori Freestone Trio.
“The vigorous, sometimes downright volcanic tenor sound of Ed Jones has long been one of the great live delights of British Jazz. His barnstorming ‘terrier with a rat’ approach raises the music’s temperature whenever he solos”. Chris Parker, Jazzwise