Nick Tomalin Piano

Nat Steele Vibes

Dave Warren Guitar

Luke Fowler Bass

Matt Fishwick Drums

“An evening of unpretentious, gently swinging jazz”         Ian Mann

Highlighting the work of the influential and important British pianist, George Shearing, these five wonderful musicians celebrate one of the greatest jazz musicians this country has ever produced and the distinctive sound of his classic quintet. The repertoire includes Shearing’s best-known compositions including ‘Lullaby of Birdland’ and ‘September in the Rain’ but also features some of Shearing’s slightly more unfamiliar tunes and arrangements.

Initially trained as a classical pianist, Shearing turned towards jazz, playing in pubs and music halls before moving on to make recordings and radio broadcasts and then settling in the U.S.A. in 1946. Shearing was one of only a very few British jazz musicians of that era to establish a truly international reputation.  Born in 1919, the long-lived Shearing remained creative until well into his 80s and was knighted for his services to music in 2007. He died on Valentine’s Day in 2011.

Over the last twenty years Nick Tomalin has become a mainstay of the London jazz scene and works regularly with some of the country’s leading jazz musicians including Jim Mullen, Mark Lockheart, Stan Sulzmann and Alan Barnes amongst many others.  When still a student Nick appeared in a masterclass with George Shearing which was filmed for the Southbank Show episode ‘The Shearing Touch’. Partly inspired by this, Nick decided to form the ‘Shades of Shearing’ Quintet dedicated to performing his unique and popular compositions and arrangements.

John Etheridge Guitars

Theo Travis Sax

Pete Whittaker Organ

George Double Drums

A veritable jazz-prog super-group featuring electric guitar, sax and flute, organ and drums, the John Etheridge Theo Travis Quartet will bring us superbly talented musicians. For many years Etheridge and Travis have been the frontline of the legendary band Soft Machine, but each has played and recorded with an astonishing who’s who of international musical talent too numerous to mention but including Stephane Grappelli, Pat Metheny, Nigel Kennedy, John Williams, Dizzy Gillespie, Robert Fripp, David Gilmour, Gary Kemp, David Sylvian and Gong just for starters.

The rhythm section comprises one of the most go-to keyboard players in the British jazz and blues scene, Pete Whittaker and our great friend, drummer George Double. Expect a pulsating night of musical fireworks and dreamy ambient soundscapes.

Bryan Corbett Trumpet/Flugel

Chris Bowden Alto sax

Matt Ratcliffe Piano

Tom Hill Bass

Carl Hemmingsley Drums

“A warm, brilliant tone and a formidable technique”         

The Independent

This outstanding quintet celebrate the year 1959 in jazz that saw the release of some of the most revered jazz albums such as Miles Davis’ Kind of Blue, Charles Mingus’ Ah Um, Dave Brubeck’s Time Out and Ornette Coleman’s The Shape of Jazz To Come as well as Blowing The Blues Away by Horace Silver amongst others.

As well as performing under his own name, Bryan Corbett has been performing with world renowned stars, a who’s who in the jazz and commercial world. Bryan is not only a great performer of the jazz standards repertoire but an artist who pushes the boundaries writing and performing original works with his various line-ups.

Saxophonist Chris Bowden works as an arranger and performer with a highly individual style. He first came to prominence with his 1996 funk/acid/Latin-jazz ‘Time Capsule’. Pianist Matt Ratcliffe has performed with a wide range of jazz musicians in clubs and festivals across the U.K.

“Bryan is one of the chosen few. Class, pure class, plays from the heart, every note has a reason to live. Truly someone who can sing through his instrument.” 

– Andy Taylor, the maker of Bryan’s trumpets.

Simon Spillett Tenor Saxophone

Pete Long Tenor Saxophone

Rob Barron Piano

Alec Dankworth Bass

Pete Cater Drums

The band harks back to the heady days of the quintet co-led by Ronnie Scott and the great Tubby Hayes. In the time honoured way you can expect plenty of up tempo tenor jousting, bell notes bouncing from wall to wall and cascades of bebop quavers coruscating the continuum! Award winning repertory bandleader Peter Long and custodian of the Hayes legacy Simon Spillett will go head to head over the old Couriers classics, with driving virtuosic rhythmic support from Rob Barron,  Alec Dankworth and Peter Cater.

 Expect such favourites as the original arrangements of Cheek To Cheek, Love Walked In and The Serpent, as well as some of Tubby’s later standards such as Suddenly Last Tuesday and Finky Minky, all linked together with stories and comments from the two front men.

Quentin Collins Trumpet/Flugel

Vasilis Xenopoulos Tenor sax

Rob Barron Piano

Mátyás Hofecker Bass

Matt Home Drums

“This is hard bop for today. Art Blakey delivered the message, Five-Way Split received it, decoded it and added their own stamp”         

Bebop Spoken Here

Five-Way Split is a new jointly led band formed in 2020 featuring some of the finest contemporary bebop musicians in the UK.  Five-Way Split is fronted by internationally renowned trumpet star Quentin Collins and Greek saxophone phenomenon Vasilis Xenopoulos, with the golden touch of pianist Rob Barron.  Added to this are virtuosic bassist Mátyás Hofecker and rock-solid drummer Matt Home. 

The band’s vision is to carry on the lineage of groups like Art Blakey’s Jazz Messengers as well as mirroring the New York contemporary bop scene.  From this inspiration, the band presents a sound that respects the tradition of the hard-bop era whilst also bringing it up to date for today’s audience.  With an extensive repertoire of hip, swinging material by greats like Jimmy Heath, Cedar Walton and Horace Silver, along with their carefully crafted and imaginative original compositions, Five-Way-Split delivers a night of the best swinging and soulful music.

Other press quotes:

Quentin Collins “Splendid” ★★★★★ – BBC Music Magazine.

Vasilis Xenopoulos “One of the most fiery young saxophonists around” ★★★★- The Times.

Rob Barron “Classic Jazz Piano at it’s best” 5/5 – UK Vibe

“Five-Way Split – each member as formidable as the next” – London Jazz News

Sarah Jane Morris Vocals

Marcus Bonfanti Guitars

Tony Rémy Guitars

Henry Thomas Bass

Sarah Jane Morris is a singer with an astonishing vocal range. Her thirty-year career, during which she has garnered a loyal and loving international audience, has been wide-ranging and her rich contralto voice goes from strength to strength. She has performed with many groups over the years, from rock to soul to African blues, with classical orchestras, a one-hundred cello ensemble, with acoustic guitars and jazz big bands. Her voice, her versatility, and her emotional intelligence – the absolute authenticity of feeling which she conveys – make her a world-class compelling performer. It is a joy to see her back at Fleece Jazz, and in such good company.

With comments from the Guardian like “The next British Guitar hero”, we can expect a superb performance from Marcus Bonfanti. The Times chimed in with “Utterly Spellbinding”. Marcus is a blues singer, composer and guitarist. It will be a pleasure to welcome him to Fleece Jazz

Tony Rémy is one of the world’s most exciting guitar players of any genre. His hard-edged rhythmically driven approach is enriched with jazz intuition and bluesy soul. His ability to adapt to any style of music sets him apart from many other guitarists and is the principle reason why Tony’s name is consistently near the top of the ‘must have’ list. Just ask Annie Lennox, Jack Bruce, Pee Wee Ellis, Mick Hucknall, Glenn Hughes, Craig David, etc. why they called him and the answer will always be the same – “Tony Rémy delivers!” 

I love the work of the mighty Henry Thomas. Whether his is backing an international artist, in the pit in the west end, or specially, playing for us at Fleece Jazz, he is a stunningly fine multi-instrument bassist. He has gigged and recorded on countless hit records, TV and film soundtracks. He is also famous for his role as a co-founder of the BBC TV series Rockschool. He has the rare expertise of being able to sightread and improvise at an extremely high level. 

Dave O’Higgins Tenor sax

Rob Luft Guitar

Ross Stanley Piano

Luke Fowler Bass

Rod Youngs Drums

“This is straight-ahead modern jazz in the African-American tradition, coming from the Monk and Trane lineage, but not bound to emulating it.”         

Previous visitors to Fleece Jazz but together here for the first time, saxophonist Dave O’Higgins and guitarist Rob Luft perform tunes from their recent release, Pluto. 

Dave O’Higgins has 24 albums as leader to his credit. He currently performs with the Harvey/O’Higgins Project, O’Higgins & Luft, Darius Brubeck Quartet and the Ronnie Scott’s Jazz Orchestra. Rob Luft is an award-winning 28-year-old jazz guitarist from London whose virtuosity has been compared to that of six-string legends John McLaughlin, Al Di Meola & Paco De Lucia. Luft’s sound morphs Wes Montgomery with Bill Frisell, revealing his own trademark and worldly influences, while Dave O’Higgins’ emotive melodies evoke Dexter Gordon, John Coltrane, Joe Henderson and Michael Brecker with a melodic logic of his own.

Ross Stanley began playing with the band on organ but here brings more harmonic space to the soundscape with the piano. This opened up a place for the exciting sound of Luke Fowler on bass who impressed us on his previous visit to the Fleece as part of Tommaso Starace’s Power of Three trio. American drummer, Rod Youngs, so integral to the vibe of the band completes the line-up.

“O’Higgins’ hard but never oppressive swing anchors Luft’s more charmful, visionary flights.  It’s a potent mix.” – Andy Robson, Jazzwise.

Ross Stanley was held up in Spain, so the admirable Jim Watson took over at a few hours notice. He was superb.

Philip Clouts Piano

Samuel Eagles Sax

Tim Fairhall Bass

Marek Dorcik Drums

Among the quotes about this band:

“The best of British jazz” – Chris Phillips Jazz FM

“Precise ebullience and relaxed funkiness” – The Guardian

“A revelatory experience” – UkVibe

The dancing exuberance of South African Township music, the convivial groove of gospel-influenced soul jazz, the joyful sway of Cuban guaguanco rhythms, the bluesy melodies of middle eastern praise songs and so much more all come together in pianist Philip Clouts’ superbly accomplished quartet.

Clouts was born in Cape Town and the music of his homeland has stayed with him as he has continued on a voyage of discovery that has led him across all five continents, soaking up Caribbean calypso and the soulful strains of the Indian subcontinent while honouring and learning from jazz heroes including Bill Evans, Keith Jarrett, and Charles Lloyd.

Tommaso Starace Sax

Jim Watson Piano

Luke Fowler Bass

“This is the sound of a trio having ‘serious fun’ and that sense of enjoyment readily transmits itself to the listener.” Ian Mann, The Jazz Mann

Born in Milan, Tommaso Starace first came to the UK in 1995 to study jazz at Birmingham Conservatoire, before undertaking post-graduate studies at the Guildhall in London. He has led working bands in both Britain and Italy and has recorded albums with both. 

Tommaso’s latest project represents a return to roots and getting back to basics with all three players recording as in a jam session, in the same room at the same time, allowing greater interaction between the musicians, the true “Power Of Three.” As Tommaso explains: “I wanted to explore a more intimate setting .  . . . the trio setting allowed all instruments to be lead players, stretching out and aiming to be more adventurous in improvisation.”

Of the trio’s choice of material Starace comments; “The choice of music was also important to me. I wanted to include a variety of styles from past to present composers, as well as music not confined to the jazz tradition.”  Among the composers featured are the late Ennio Morricone, Bobby Timmons, Stevie Wonder, Chick Corea, Michel Petrucciani and Charlie Parker.

“It was good to hear Tommaso in a trio setting .  .  .  .  giving full reign to his improvisational talents. Combined with this were the sometimes-explosive skills of the wonderful pianist Jim Watson providing some sizzling solos with Tommaso throughout the two sets, making it a stimulating concert.” Review of a gig at Chichester Jazz Club, Oct, 2022