On Wednesday 28 June, Bryan Corbett’s “Hi-Fly” Quintet – £19

Bryan Corbett Trumpet/Flugel

Chris Bowden Alto sax

Matt Ratcliffe Piano

Tom Hill Bass

Carl Hemmingsley Drums

“A warm, brilliant tone and a formidable technique”         

The Independent

This outstanding quintet celebrate the year 1959 in jazz that saw the release of some of the most revered jazz albums such as Miles Davis’ Kind of Blue, Charles Mingus’ Ah Um, Dave Brubeck’s Time Out and Ornette Coleman’s The Shape of Jazz To Come as well as Blowing The Blues Away by Horace Silver amongst others.

As well as performing under his own name, Bryan Corbett has been performing with world renowned stars, a who’s who in the jazz and commercial world. Bryan is not only a great performer of the jazz standards repertoire but an artist who pushes the boundaries writing and performing original works with his various line-ups.

Saxophonist Chris Bowden works as an arranger and performer with a highly individual style. He first came to prominence with his 1996 funk/acid/Latin-jazz ‘Time Capsule’. Pianist Matt Ratcliffe has performed with a wide range of jazz musicians in clubs and festivals across the U.K.

“Bryan is one of the chosen few. Class, pure class, plays from the heart, every note has a reason to live. Truly someone who can sing through his instrument.” 

– Andy Taylor, the maker of Bryan’s trumpets.



On Wednesday 9 August, The Music of the Jazz Couriers, £20

Simon Spillett Tenor Saxophone

Pete Long Tenor Saxophone

Rob Barron Piano

Alec Dankworth Bass

Pete Cater Drums

The band harks back to the heady days of the quintet co-led by Ronnie Scott and the great Tubby Hayes. In the time honoured way you can expect plenty of up tempo tenor jousting, bell notes bouncing from wall to wall and cascades of bebop quavers coruscating the continuum! Award winning repertory bandleader Peter Long and custodian of the Hayes legacy Simon Spillett will go head to head over the old Couriers classics, with driving virtuosic rhythmic support from Rob BarronAlec Dankworth and Peter Cater.

 Expect such favourites as the original arrangements of Cheek To Cheek, Love Walked In and The Serpent, as well as some of Tubby’s later standards such as Suddenly Last Tuesday and Finky Minky, all linked together with stories and comments from the two front men.

On Wednesday 23 August, Five-Way Split – £19

Quentin Collins Trumpet/Flugel

Vasilis Xenopoulos Tenor sax

Rob Barron Piano

Mátyás Hofecker Bass

Matt Home Drums

This is hard bop for today. Art Blakey delivered the message, Five-Way Split received it, decoded it and added their own stamp         

Bebop Spoken Here

Five-Way Split is a new jointly led band formed in 2020 featuring some of the finest contemporary bebop musicians in the UK.  Five-Way Split is fronted by internationally renowned trumpet star Quentin Collins and Greek saxophone phenomenon Vasilis Xenopoulos, with the golden touch of pianist Rob Barron.  Added to this are virtuosic bassist Mátyás Hofecker and rock-solid drummer Matt Home

The band’s vision is to carry on the lineage of groups like Art Blakey’s Jazz Messengers as well as mirroring the New York contemporary bop scene.  From this inspiration, the band presents a sound that respects the tradition of the hard-bop era whilst also bringing it up to date for today’s audience.  With an extensive repertoire of hip, swinging material by greats like Jimmy Heath, Cedar Walton and Horace Silver, along with their carefully crafted and imaginative original compositions, Five-Way-Split delivers a night of the best swinging and soulful music.

Other press quotes:

Quentin Collins “Splendid” ★★★★★ – BBC Music Magazine.

Vasilis Xenopoulos “One of the most fiery young saxophonists around” ★★★★- The Times.

Rob Barron “Classic Jazz Piano at it’s best” 5/5 – UK Vibe

“Five-Way Split – each member as formidable as the next” – London Jazz News



On Wednesday 12 July 2023, Sarah Jane Morris “Something Old, Something New” – £22

Sarah Jane Morris Vocals

Marcus Bonfanti Guitars

Tony Rémy Guitars

Henry Thomas Bass

Sarah Jane Morris is a singer with an astonishing vocal range. Her thirty-year career, during which she has garnered a loyal and loving international audience, has been wide-ranging and her rich contralto voice goes from strength to strength. She has performed with many groups over the years, from rock to soul to African blues, with classical orchestras, a one-hundred cello ensemble, with acoustic guitars and jazz big bands. Her voice, her versatility, and her emotional intelligence – the absolute authenticity of feeling which she conveys – make her a world-class compelling performer. It is a joy to see her back at Fleece Jazz, and in such good company.

With comments from the Guardian like “The next British Guitar hero”, we can expect a superb performance from Marcus Bonfanti. The Times chimed in with “Utterly Spellbinding”. Marcus is a blues singer, composer and guitarist. It will be a pleasure to welcome him to Fleece Jazz

Tony Rémy is one of the world’s most exciting guitar players of any genre. His hard-edged rhythmically driven approach is enriched with jazz intuition and bluesy soul. His ability to adapt to any style of music sets him apart from many other guitarists and is the principle reason why Tony’s name is consistently near the top of the ‘must have’ list. Just ask Annie Lennox, Jack Bruce, Pee Wee Ellis, Mick Hucknall, Glenn Hughes, Craig David, etc. why they called him and the answer will always be the same – “Tony Rémy delivers!” 

I love the work of the mighty Henry Thomas. Whether his is backing an international artist, in the pit in the west end, or specially, playing for us at Fleece Jazz, he is a stunningly fine multi-instrument bassist. He has gigged and recorded on countless hit records, TV and film soundtracks. He is also famous for his role as a co-founder of the BBC TV series Rockschool. He has the rare expertise of being able to sightread and improvise at an extremely high level. 

On Wednesday 26 July, – O’Higgins & Luft present Pluto £20

Dave O’Higgins Tenor sax

Rob Luft Guitar

Ross Stanley Piano

Luke Fowler Bass

Rod Youngs Drums

This is straight-ahead modern jazz in the African-American tradition, coming from the Monk and Trane lineage, but not bound to emulating it.         

Previous visitors to Fleece Jazz but together here for the first time, saxophonist Dave O’Higgins and guitarist Rob Luft perform tunes from their recent release, Pluto. 

Dave O’Higgins has 24 albums as leader to his credit. He currently performs with the Harvey/O’Higgins Project, O’Higgins & Luft, Darius Brubeck Quartet and the Ronnie Scott’s Jazz Orchestra. Rob Luft is an award-winning 28-year-old jazz guitarist from London whose virtuosity has been compared to that of six-string legends John McLaughlin, Al Di Meola & Paco De Lucia. Luft’s sound morphs Wes Montgomery with Bill Frisell, revealing his own trademark and worldly influences, while Dave O’Higgins’ emotive melodies evoke Dexter Gordon, John Coltrane, Joe Henderson and Michael Brecker with a melodic logic of his own.

Ross Stanley began playing with the band on organ but here brings more harmonic space to the soundscape with the piano. This opened up a place for the exciting sound of Luke Fowler on bass who impressed us on his previous visit to the Fleece as part of Tommaso Starace’s Power of Three trio. American drummer, Rod Youngs, so integral to the vibe of the band completes the line-up.

O’Higgins’ hard but never oppressive swing anchors Luft’s more charmful, visionary flights.  It’s a potent mix.” – Andy Robson, Jazzwise.

Ross Stanley was held up in Spain, so the admirable Jim Watson took over at a few hours notice. He was superb.



On Wednesday 10 May, The Philip Clouts Quartet – £17

Philip Clouts Piano

Samuel Eagles Sax

Tim Fairhall Bass

Marek Dorcik Drums

Among the quotes about this band:

“The best of British jazz” – Chris Phillips Jazz FM

“Precise ebullience and relaxed funkiness” – The Guardian

“A revelatory experience– UkVibe

The dancing exuberance of South African Township music, the convivial groove of gospel-influenced soul jazz, the joyful sway of Cuban guaguanco rhythms, the bluesy melodies of middle eastern praise songs and so much more all come together in pianist Philip Clouts’ superbly accomplished quartet.

Clouts was born in Cape Town and the music of his homeland has stayed with him as he has continued on a voyage of discovery that has led him across all five continents, soaking up Caribbean calypso and the soulful strains of the Indian subcontinent while honouring and learning from jazz heroes including Bill Evans, Keith Jarrett, and Charles Lloyd.

On Wednesday, 26 April, Alex Clarke Quartet – £18

Alex Clarke Saxophones/Flute

Rob Barron Piano

Dave Green Double Bass

Clark Tracey Drums

“strong and full sound .  .  .  .  swinging, melodic and refreshingly cliché-free . . . . leaves the listener captivated by every phrase and nuance.”     Jazz Views

As a finalist in the BBC Young Jazz Musician of the Year 2020, winner of the Rising Star category in the 2019 British Jazz Awards and nominee in the Parliamentary Jazz Awards 2021, Alex Clarke is known to be one of the most in-demand and versatile young saxophonists emerging on the British jazz scene.  

Praised for her extensive repertoire and intelligent ear for harmony, she brings a youthful, intuitive approach which sounds authentic in a variety of musical settings from New Orleans to bebop. Alex’s musical voice is steeped in the tradition of jazz; her deep respect for the heritage of the music can be heard in a swinging, melodic approach reminiscent of Scott Hamilton and Lester Young, with strong influences of Phil Woods and Cannonball Adderley.  

As well as leading her own projects, Alex works with local bands and house rhythm sections up and down the country, performing alongside notable names such as Roy Williams, Bruce Adams, Enrico Tomasso, Gilad Atzmon, Greg Abate and Art Themen.  Her quartet is completed by a top-flight rhythm section: Rob Barron on piano, Dave Green on double bass and Clark Tracey at the drums, a veritable ‘who’s who’ of British jazz.

“One of the U.K.’s finest young jazz talents.” The Jazz Rag

                                                                            

On Wednesday 22 February Tommaso Starace’s “Power of Three” – £18

Tommaso Starace Sax

Jim Watson Piano

Luke Fowler Bass

“This is the sound of a trio having ‘serious fun’ and that sense of enjoyment readily transmits itself to the listener.” Ian Mann, The Jazz Mann

Born in Milan, Tommaso Starace first came to the UK in 1995 to study jazz at Birmingham Conservatoire, before undertaking post-graduate studies at the Guildhall in London. He has led working bands in both Britain and Italy and has recorded albums with both. 

Tommaso’s latest project represents a return to roots and getting back to basics with all three players recording as in a jam session, in the same room at the same time, allowing greater interaction between the musicians, the true “Power Of Three.” As Tommaso explains: “I wanted to explore a more intimate setting .  . . . the trio setting allowed all instruments to be lead players, stretching out and aiming to be more adventurous in improvisation.”

Of the trio’s choice of material Starace comments; “The choice of music was also important to me. I wanted to include a variety of styles from past to present composers, as well as music not confined to the jazz tradition.”  Among the composers featured are the late Ennio Morricone, Bobby Timmons, Stevie Wonder, Chick Corea, Michel Petrucciani and Charlie Parker.

“It was good to hear Tommaso in a trio setting .  .  .  .  giving full reign to his improvisational talents. Combined with this were the sometimes-explosive skills of the wonderful pianist Jim Watson providing some sizzling solos with Tommaso throughout the two sets, making it a stimulating concert.” Review of a gig at Chichester Jazz Club, Oct, 2022

On Wednesday, 12 April, The Alan Barnes/Andy Panayi Sextet – £22

Alan Barnes Alto Sax

Andy Panayi Tenor Sax

Robby Robson Trumpet

John Donaldson Piano

Simon Thorpe Bass

Pete Cater Drums


Alan Barnes has been at the forefront of British jazz since 1980 and his musicianship and sense of humour have made him hugely popular in jazz clubs and festivals across the UK and beyond. He is best known for his work on clarinet, alto and baritone saxes, where he combines a formidable virtuosity with outstanding musical expression.

Andy Panayi is an exceptionally gifted musician, skilled in performance, composition and arranging. He plays all the flutes and all the saxophones and currently leads his own groups, both jazz and classical. He also writes commissioned works and compositions & arrangements for his own ensembles.

They first played together more than three decades ago, and since then have both gone on to be multi-award winners.

This sextet plays post-bop tunes from a golden era of jazz, including some from the 1959 album ‘The Cannonball Adderley Quintet in Chicago’ (re-released in 1964 as ‘Cannonball and Coltrane’), and John Coltrane’s album ‘Blue Trane’ from 1957.

On Wednesday 22 March The Oddgeir Berg Trio – £18

Oddgeir Berg Piano

Audun Ramo Bass

Lars Berntsen Drums

“A piano trio to get truly excited about, a trio for the new millennium”

– **** Dan McClenaghan, All About Jazz

Jazz trios named after the piano player give certain expectations, be it Horace Silver and his tender “Que Pasa” or Esbjørn Svensson and his Northern sounds; clarity and intimacy are common to these, with a hint of tonal melancholy.  These characteristics also present with Oddgeir Berg Trio, who are clearly familiar with a Scandinavian jazz tradition. 

The trio’s sound has been called “withdrawn and cinematic.” In this aspect they share a characteristic with another Norwegian piano group, the Tord Gustavsen Trio. A notable difference is Oddgeir Berg Trio’s more effusive embrace of electronics, which adds to the cinematic and atmospheric aspect of the sound. 

The trio has some other tricks up its sleeve though, most importantly an urgency for action, pace and adventure.   Here the Oslo based trio has more in common with Miles Davis’ Jack Johnson than Scandinavia’s Jan Johannson. The love of jazz and blues drive Audun Ramo’s double bass and the propulsive drum sound of Lars Bentsen energetically support Oddgeir Berg’s playing. Berg’s curiosity in experimenting with Wurlitzer\Rhodes and synthesizer sounds sneaks into the soundscape and lends a distinctive colour to the sound panorama.

“Electroacoustic jazz with one leg in melancholy and the other in ecstasy.”