People seem to be afraid of original music. All but two of the tunes we heard on this lovely gig were written by Philip Clouts, our leader on piano. Philip writes beautiful, varied and accessible music that any jazz lover would enjoy. 

My favourite tune was Nyasa Lullaby. It was a beautiful slow lullaby based on a single tone row. The variations on the row seemed without end. I was sorry when the tune ended. 

But Philip is a very talented composer. I don’t know whether he has ever visited Cannery Row (we had our honeymoon there and thereabout). That was 60 years ago, but I think he caught it as we saw it back then. So he took us all around Africa, South America and the U.S. west  coast. It was a joyous ride.

The band is very happy with standards: both the Rogers and Hart and the Horace Silver were delightful.

I hope we have the band back. They deserve a much bigger audience. The comments afterwards were from very happy people. Steve Jordan’s setlist is below.

Next gig, 24 May, will celebrate the great British pianist and composer, George Shearing. Nick Tomalin’s quintet will do them honour. 

Take care, 

Dave

PHILIP CLOUTS QUARTET  

SETLIST, FLEECE JAZZ 10/5/23

All compositions by Philip Clouts except (3) and (9)

1. Tilt – with influences from Latin America
2. On West Hill – inspired by John Steinbeck’s Cannery Row about a small seaside community in the U.S.A.  West Hill is the area where Philip Clouts lives in Lyme Regis on the Dorset coast.
3. Have You Met Miss Jones? (Rodgers & Hart) featured two wonderful solos by Tim Fairhall on double bass 
4. Umoya – titled from the Zulu word for life-force.
5. Nyasa Lullaby – inspired by musicians from Tanzania using notes from just one scale
6. Marula – named after the fruit-bearingl tree with a dome-shaped canopy indigenous to the savanna woodlands of East Africa and Madagascar.

*          *          *           *         *        *        *

7. Going to Congo Square
8. Solitude – written during lockdown
9. Song For My Father  (Horace Silver) 
10. Scintillate
11. As Evening Falls
12. Rubik’s Rubric – inspired by West African music
13. ENCORE: Beeram Blues

I really enjoyed this gig. Alex Clarke is a superb performer with a range of warm timbres and with proper jazz in her soul. She is also clear on the talk mic about what she is playing, which I guess is a great help to Steve Jordan when he writes the set list (see below, and thank you). I am not surprised that she attracts a back line as celebrated as Clark Tracey on drums, Dave Green on bass and Rob Barron on piano.

The tone Alex produced on “Ballad for Very Sad and Very Tired Lotus Eaters” was really beautiful. It was a great performance. There is nowhere to hide when you are playing in duet mode. The synergism between Rob and Alex was lovely. Alex gave the trio lots of room to blow. I could see her enjoyment of their work, particularly when trading 4s with Clark. We are thankful too that she spoke to us about each song: not a lot, just enough.

Clark had one terrific solo in “Oleo” . There is a phrase about good drummers: “playing the room”. Clark’s understanding of the room acoustics and the volume of his colleagues is exemplary. He is such a class act.

Dave is one of those rare bassists that you can listen to their accompaniment with pleasure and interest. He seems to find fascinating things to say under other people’s solos, and his own solos are great.

We haven’t seen Rob for far to long, and people thought of him as new to us, which he is not. They commented on the delight they had listening to his solos and his work throughout this excellent gig,

Our next gig will be the Philip Clouts Quartet. The music will carry us to South Africa and beyond. One quote: “Precise ebullience and relaxed funkiness” – The Guardian

Take care

Dave

ALEX CLARKE QUARTET  

SETLIST, FLEECE JAZZ 26/4/23

1. Sound for Sore Ears (Jimmy Heath)
2. Where or When (Rodgers and Hart)
3. Autumn Leaves (Joseph Kosma, Jacques Prévert, Johnny Mercer) arrangement by Alex Clarke inspired by Chet Baker’s
4. Ballad for Very Sad and Very Tired Lotus Eaters (Billy Strayhorn) – a duet featuring Alex Clarke and Rob Barron
5. Like Someone in Love (Jimmy Van Heusen and Johnny Burke)
6. Oleo (Sonny Rollins)

*          *          *           *         *        *        *

7. Who’s Smoking?! (Paquite d’Rivera) written for James Moody
8. I’m Old Fashioned (Jerome Kern)
9. Only A Year (Alex Clarke) 
10. Brazilian Affair (Phil Woods)
11. I’ve Never Been In Love Before (Frank Loesser) from the musical Guys and Dolls
12. Just One of Those Things (Cole Porter)
13. ENCORE: Shake It But Don’t Break It (Erroll Garner) 

Steve Jordan described this gig as stellar, and it was in many senses. First of all, the music which was originally performed by Cannonball Adderley and John Coltrane is amazing. The sextet is certainly starry: they were Andy Panayi (tenor and soprano), Alan Barnes (alto), Steve Fishwick (trumpet and flugel), John Donaldson (piano), Simon Thorpe (bass) and Peter Cater (drums). The arrangements were gorgeous, rich and exciting with beautiful harmonies (and dissonances) and great rhythms. The playing was terrific: the timing was spot on, and the solos just engulfed one. 

Andy and Alan commented on the music, but Andy was the conductor. It seems that nothing except the set list was decided in advance, and they had freedom to construct each song as they wished. This just added to the joy of the evening.

All of the musicians were jaw- droppingly awesome, the horn section especially so but the rhythm section was tremendous too. A special mention for Steve Fishwick for depping so faultlessly – a measure of his talent and professionalism and he appears so calm!

Favourites? Difficult: the first tune, “Miles” hit you in the face with the horn chorus. Maybe also “Dat Dere”. By that time in the second set everybody on stage was grinning at the quotes and riffs of their colleagues.

We are lucky to have Steve Jordan about. He supplies the set list below.

We complete our January/April programme with the stunning young saxophonist and flautist Alex Clarke. She brings with her the dream rhythm section: Rob Barron piano, Dave Green bass and Clark Tracey drums. We hope to see you on Wednesday 26 April.

Dave

ALAN BARNES/ANDY PANAYI SEXTET  

SETLIST, FLEECE JAZZ 12/4/23

1. Miles (Davis) from the 1958 album Milestones
2. Two Bass Hit (Lewis-Gillespie) also from the album Milestones
3. Jeanine (Duke Pearson) from the 1960 album Them Dirty Blues by the Cannonball Adderley Quintet
4. This Here (Bobby Timmons) from the 1959 album The Cannonball Adderley Quintet in San Francisco
5. Wabash (Julian Adderley) from the 1959 album The Cannonball Adderley Quintet in Chicago
6. Blue Train (John Coltrane) from the 1957 album Blue Train by John Coltrane
7. Lazybird (John Coltrane) from the 1957 album Blue Train by John Coltrane

*          *          *           *         *        *        *

8. Locomotion (John Coltrane) from the 1957 album Blue Train by John Coltrane
9. Jive Samba (Nat Adderley) from the 1962 album Jazz Workshop Revisited by The Cannonball Adderley Sextet
10. Dear John (Freddie Hubbard) from the 1991 album Bolivia was dedicated to John Coltrane and based on Coltrane’s Giant Steps
11. Naima (John Coltrane) dedicated to Coltrane’s first wife
12. Dat Dere (Bobby Timmons) from the 1960 album Them Dirt Blues by the Cannonball Adderley Quintet
13. I’m Old Fashioned (Jerome Kern) from the 1957 album Blue Train by John Coltrane
14. ENCORE: Del Sasser (Sam Jones) from the 1960 album Them Dirty Blues by the Cannonball Adderley Quintet

Superb gig, big audience, couldn’t be better.

Something about the instruments: first the piano. Oddgeir Berg brought some electronics driven from a small but very good mic clipped to a bar on the open front piano. This gave Oddgeir a variety of soundscapes driven by the piano. He used his hand on the strings at times to produce a percussive sound. Mind you, while playing without the electronics, his touch is such that the full range of dynamics from softly lyrical to loud percussive was there.

Audun Ramo’s bass also was driven through a stomp box set, but the changes to the sound of the bass were very subtle. It was lovely to hear such bowing with varying timbre. Audun also used the instrument as a drum with his hands and fingernails for one song. A bit of magic: the bass folded into a cello shaped case at less than airline maximum. 

Bands flying from Norway don’t bring a drum kit. Lars Berntsen used a very nice rented kit (thank you, Webby, who even brought 5 snare drums for Lars to choose from). Lars brought his own cymbals, of course.  No mics or electronics on the drums.

With one exception, the tunes were all written by Oddgeir. They varied through stormy, light happy and subtle, melancholy and happy swinging. The arrangements didn’t leave much room for applause after solos. Watching our audience from the sound desk, its listening was visibly intense. There was applause and hoots after each number, and some stood to applause after the last song. Can we have them back, please?

Steve Jordan builds annotated set lists from gigs, for which we are very grateful.

Tickets for Barnes/Panayi on April 12th are going nicely, so do book with David or WeGotTickets soon.

Take care

Dave

ODDGEIR BERG TRIO SETLIST, FLEECE JAZZ 22/3/23

1. Here Comes The Toughest
2. The Dream of Adam – a lullaby for one of Oddgeir’s three children.
3. Dancing Through The Storm 
4. Happy Morning
5. Psalmist
6. Sunday Mood

*          *          *           *         *        *        *

7. List
8. Scenes From A Movie
9. Vagabond
10. Oldies
11. Bring On The Night
12. Mermaid’s Dance
13. Wonderwall*
14. Post Mortem

All compositions and arrangements by Oddgeir Berg except * written by Noel Gallagher of the rock band, Oasis.