On Wednesday, 7th December 2022: Derek Nash’s Acoustic Quartet £22.

Derek Nash's Acoustic Quartet

Derek Nash Saxes

David Newton Piano

Geoff Gascoyne Double Bass

Sebastiaan De Krom Drums

“From smooth cool to groovy funk, to ingeniously recast standards, to one quite gorgeous ballad, the music fizzes with energy, even at its most restrained.”

The Guardian 5* review of ‘You’ve got to Dig It to Dig It, You Dig?’ by the Derek Nash Acoustic Quartet

Performing original compositions and unique arrangements of jazz classics, this quartet features some of the best exponents of jazz in the UK whose work together has encompassed Jamie Cullum and Michel Legrand.

Derek Nash is a featured soloist with the Jools Holland Rhythm and Blues Orchestra; leader of the British Jazz award-winning Sax Appeal and also co-leader of funk/fusion band Protect the Beat. Derek is a master of all saxes from soprano to baritone and is renowned for his energetic, vibrant, passionate and charismatic performances.

Dave Newton was voted best Jazz Pianist in the British Jazz Awards for the thirteenth time in 2014. He has been the pianist of choice for many female vocalists including Annie Ross, Marion Montgomery, Tina May and Claire Martin. Becoming a professor at Leeds College of Music in 2016, Dave is the epitome of melodic, swinging piano.

Geoff Gascoyne‘s reputation in the business is sky high as a player, producer and composer. The plaudits come from a huge range of top musicians. Here is one from Jamie Cullum: “Geoff is uniquely accomplished and experienced across all aspects of music making. It is rare to find such abilities all in a single musician. He was a massive part of my success – as an arranger, producer, musician, bandleader, collaborator, songwriter and as a killing bass player.”

Sebastiaan de Krom is a maestro of effortless swing. He has played for many years with Jamie Cullum, appearing on his multi-gold selling albums and touring the world for several years. He has also worked with Guy Barker, Gene Harris, Kurt Elling and Michel Legrand. He, too, is a professor at Leeds College of Music.

“To get some idea of the sheer breadth of his accomplishment as a saxophonist, composer and bandleader, you should hear this.”

The Guardian 5* review of ‘You’ve got to Dig It to Dig It, You Dig?’ by the Derek Nash Acoustic Quartet

 

On Wednesday, 14th December, Glen Manby’s “Homecoming” – £18

Glen Manby's "Homecoming"

Glen Manby Alto Sax

Steve Waterman Trumpet/Flugel

Leon Greening Piano

Jeremy Brown Double Bass

Joe Dessaeur Drums

“This well-balanced and finely integrated quintet speaks bebop fluently….their cohesion and familiarity with some clean, unfussy and elegant arrangements is remarkable” – Jazz Journal  

In 2015 Glen Manby was awarded an Arts Council of Wales Project Grant to compose, arrange and record a new repertoire with his recently-formed quintet. It was recorded with Steve Waterman, Leon Greening and Matt Home (we have Joe Dessaeur for our gig) with Adam King on bass (we have Jeremy Brown for our gig). The resulting CD, “Homecoming”, is available on the Mainstem jazz label, but we will have the great pleasure of hearing it live.

Here is part of a review of the CD by Dave Gelly of the Observer, headed “Glen Manby Quintet: Homecoming review – stylish hard bop ****”

“Jazz is constantly throwing up new genres and forms, but hard bop continues to outlive them all. Perhaps because it is technically demanding, it seems to attract more than its fair share of talented musicians too. Alto saxophonist Glen Manby is a case in point. Fully at home in the idiom, with a polished technique and mature tone, he’s an eloquent player. Normally based in Cardiff, he appears here with four of Britain’s A-team: trumpeter Steve Waterman, pianist Leon Greening, bassist Adam King and drummer Matt Home. Most of the tunes are Manby originals, plus pieces by Wayne Shorter, Quincy Jones et al. All round, it’s a stylish session, with a good variety of mood and tempo.” 

” Hard bop lives and is in no better hands than the Glen Manby Quintet” – London Jazz News 

“…this is British jazz at its best” – The Jazz Rag 

On Wednesday, 23rd November – Art Themen Trio £18

Art Themen Trio - Dizzy Moods

Art Themen Saxophone

Pete Whittaker Organ

George Double Drums

“A first-rate trio..an excellent set..Themen is one of the very few totally original, utterly engaging jazz musicians around”  –  ****           Dave Gelly – THE OBSERVER

What we have here is a first-rate trio playing jazz standards by such greats as Sonny Rollins, Herbie Hancock and Cannonball Adderley.  Art Themen is one of the very few totally original, and at the same time utterly engaging jazz musicians around.

Usually, even with the best, you have some idea of where the improvisation is going, some route from A to B, but Themen will pile up ideas, apparently at random, maybe with the odd outlandish quotation for good measure, and when he’s finished, it all seems to have made sense.

The wonderful organist Pete Whittaker and the superb George Double on drums complete the trio.

“Themen, a veteran master now, in such eloquent form” –  ****         Peter Vacher – JAZZWISE 

“Boistrous and inventive as ever..funky and swinging”HI FI NEWS & RECORD REVIEW

In any other country he’d be regarded as a national treasure”Leonard Weinrich – LONDON JAZZ NEWS

 

On Wednesday, 2nd November 2022: Pete Oxley’s “Flight of Hand”, £20.

On Wednesday, 2nd November 2022:                        Pete Oxley's "Flight of Hand", £20.

Pete Oxley Guitars

David Gordon Piano

Oli Hayhurst Bass

Paul Cavaciuti Drums

This is a new group, made up of four highly experienced players, who are familiar to audiences all over the UK and internationally. Fronted by the hugely creative and inventive pianist, David Gordon, and master of the jazz guitar, Pete Oxley, the band will perform “hugely engaging, melodic, groove-driven works” by these two masterly jazz composers. (Both Pete and David are two of only a handful of British composers to have their tunes included in the ‘European Real Book’). In addition to their originals, expect works by such contemporary jazz composers as Michael Brecker, Lyle Mays, Pat Metheny, Chick Corea, etc..

David’s musical career has been – and continues to be – hugely versatile, ranging from performing harpsichord with The English Concert to touring the world with the gypsy-tango band, Zum. Pete Oxley began his gigging career during his ten years living in Paris. On his return to the UK, he founded The Spin Jazz Club in Oxford and has been the house guitarist there. He currently tours extensively with the Swiss guitar virtuoso, Nicolas Meier.

The rhythm section will be well known to a jazz audience: Oli Hayhurst has worked with just about the entire UK jazz glitterati in addition to numerous international A-listers, such as Kurt Rosenwinkel and Pharoah Sanders. Paul Cavaciuti is an in-demand drummer, known for his outstanding musical empathy with the musicians that he works with.

The Independent on Sunday described David Gordon as “a richly gifted player with a sparkling style and boundless imagination“.

Jane Cornwell (Evening Standard) reviewing the Oxley-Meier album ‘Chasing Tales’: “The array of changing sounds, moods and textures they create is gorgeous, fascinating and apparently endless. If you love music of any kind you’ll probably fall for this.”

A night of super-appealing, lush and groovesome music is assured!

Paul was ill, and we wish him a quick recovery. We had Tom Hooper on drums, and he was excellent.

 

On Wednesday, 26th October 2022: “Dexterity”: The Music of Dexter Gordon £18.

"Dexterity": The Music of Dexter Gordon

Vasilis Xenopoulos Tenor Sax

Ross Stanley Piano

Simon Thorpe Double Bass

Steve Brown Drums

“I loved his playing before lockdown, but now he’s even more confident, bursting with enthusiasm and much, much stronger – he really holds the stage. Without doubt a 5 star evening!”

– Trevor Bannister, The Jazz Mann

Dexter Gordon was a true colossus of 6’ 6” whose stature as a tenor saxophonist and composer matched his massive frame; a sharp sense of outfitting, a smart choice of hats and an engaging personality completed his persona as the ‘cool hipster’.  He emerged as an important and influential soloist in the Bebop revolution of the late-1940s.  After a period in the 1950s when his promise was decimated by narcotics and Dexter spent most of his time in various ‘places of correction’, the 1960s saw his renaissance and a return to the recording studio for the Blue Note and Prestige labels. He made his home in Europe for fourteen years, before returning to the US.  He died fourteen years later leaving an indelible impression on those fortunate enough to hear him play in person and countless more who discovered his music from his vast legacy of recordings.

Vasilis Xenopoulos was one such young musician who fell under Dexter’s spell, saving his hard-earned pocket money to buy the precious albums that would influence his playing. He has made a significant reputation for himself on the international jazz scene, forming partnerships that have stood the test of time.

Acknowledging Gordon as one of his early influences, Vasilis in no way attempts to emulate his hero but plays Dexter’s music in a totally convincing manner that is at once a fitting tribute and also hard bop not of the fifties but brought right up to date. For this latest project, he retains the services of bassist Simon Thorpe and Steve Brown on drums from XPQ with the addition of the wonderful Ross Stanley on piano.

“All-in-all, this is top-notch hard bop played with authority, authenticity and conviction.  The desire to communicate with the audience is clearly in the mind of all concerned.”

Jazz Views

 

On Wednesday, 12 October, Antonio Forcione – £25

Antonio Forcione

Antonio Forcione Guitars

From the first moment Antonio walks on stage to rapturous applause, a humble smile on his face, guitar in hand, you know you are in the presence of a true artist and are in for an evening with a touch of magic. And as the first deep, warm, intense notes float through the auditorium, you can hear a pin drop and feel the sonic spell of his guitar weaving through the room. As one critic put it “Imagine an Italian hybrid of Michael Hedges, John McLaughlin and Django Reinhardt … ferocious, rampaging, controlled power, meticulous precision and clarity of expression … astonishing musical personality” 

Antonio’s impressive 21 albums and extensive international tours in festivals and theatres – both as a solo artist, in duo and with his acoustic quartet – have brought high critical acclaim from as far as Australia and Hong Kong to the Caribbean, Russia and all over Europe. He has the ‘hands of a tarantula and the heart of a lion’, as another critic so expressively phrased it!


On Wednesday, 28 September, Nigel Price’s “Wes Re Imagined” – £18

Nigel Price, Vasilis Xenopoulos, Ross Stanley, Joel Bartlett

Nigel Price Guitar

Vasilis Xenopoulos Tenor sax

Ross Stanley Organ

Joel Barford Drums

Wes Montgomery guitar fans need look no further than the UK’s Nigel Price on Wes Reimagined (Ubuntu) – respectful in catching Montgomery’s warmth, but also the work of a thoroughly contemporary enthusiast.” -John Fordham –

Some 54 years after Wes Montgomery passed, his music and playing still inspire musicians and listeners. Wes’ music puts a smile on faces with its blend of bebop and blues. The music is sometimes simple, full of interest and always accessible.

The band is a delight. Over a career spanning more than 25 years, award-winning jazz guitarist Nigel Price has become widely acknowledged as one of the hardest working musicians in the business. Musically, his blend of flowing bebop lines, deep blues sensibility and his mastery of chording continue to delight audiences and fellow musicians alike.

This band is a celebration of Montgomery: they are not a tribute band. There is room for every one of these top drawer musicians to solo and shine, honouring, not copying Montgomery.

“When the players are Vasilis Xenopoulos and Nigel Price…..the outcome is downright irresistible” – The Guardian ★★★★

How many Hammond endorsees do we ever get to hear. Ross Stanley is an amazing organist. We are delighted to welcome Joel Barford to Fleece Jazz.

Thoughts on Sara Oschlag/Jonny Hepbir Quartet, 8 June 2022

Steve is on holiday, so it is Dave doing a little review. I was so enjoying the music that I couldn’t note all of  the songs: no definitive set list today.

These four fine musicians gave us music of their own, but redolent of the Paris Hot Club, and the 40’s and 50’s.  We had vocalist Sara Oschlag: lovely phrasing, great , substantial voice, and real understanding of the stories  she was telling.  As a vocal instrumentalist, her scatting was superb. Jonny Hepbir  and Jason Henson played beautiful acoustic classical guitars. Their soloing was a delight. 

There is a part of their music that people don’t listen to, but if it isn’t  there, the music falls flat. It is the rhythm guitar. Both Jonny and Jason play rhythm guitar as it should sound. This is a rarity, and it was lovely to hear it.

The bassist, Rhys Lobell, was a last minute dep who had never played with the band before. The audience would never have suspected that until they were told about it late in the gig. Now, I was at the sound check and watched the process of giving a fine instrumentalist the vibe and riffs of some of the songs. In the gig itself it took only one song for the four of them to become one mind. 

The programme was mostly up tempo, with plenty of room for soloing from all four. I loved Sara trading 2’s with each of the band members, especially in Berlin’s “Putin’ on the Ritz”, She sang in French, Spanish, German and English. Sara’s story telling was almost graphic with the double entendre  lyrics of  “HoneySuckle Rose” (Fats Waller). 

Part of the fun of the gig was watching (and taking part in) the fun that the performers were having. I am not sure that there was ever a pre-designed set list, with decisions being made on the fly, while poking fun at each other. 

It was a highly enjoyable evening, with happy comments from the FAR too small audience. I would love to hear this band again,

Take care,

Dave

Thoughts on John Law’s Re-Creations, 25 May 2022

These words are mostly by Steve Jordan, with a few additions from Dave Lyons.  It is a longish read, but I think, a good one.

Last night, we were treated to an eclectic selection of numbers from various genres, from classical music to early ‘70s rock through to the jazzed up celtic soul of Van Morrison and the disco funk of Earth, Wind and Fire interspersed with plenty of popular jazz songs and instrumentals from the 1930s through to the 1970s.

The arrangements were wondrous and often quite complex, effortlessly held together by John Law’s prodigious skill and invention on the keyboards with the spirit and talent of each member of the band shining through, not least in the “solos”. The arrangements were melded such that it was difficult to applaud individual solos, we were just carried through the transitions.

Invariably, John Law begins the first set of a performance with a classical piece and tonight was no exception; his background in classical piano shone through with Claude Debussy’s ‘Clair de Lune’. Dave would have expected Bach, but loved the Debussy.

The evening quickly developed into a game of ‘Name That Tune’ as John challenged the audience to identify each one, hiding his sheet music from us and himself.   Heads were nodding along to the music or in recognition of the original tune, masked by the arrangement, gradually and teasingly revealed by the band as the song developed.  

The rendition of Van Morrison’s ‘Moondance’ had our audience baying in appreciation at the end, before the all-too-familiar theme of Miles Davis’ ‘So What’ played in.  At one point, the combination of John’s electric piano and Henrik’s double bass produced harmonics eerily like those from Jaco Pastorius’ fretless bass guitar!  How does that happen?

For me, Cavatina was a challenge, but not for others as they sang the lyrics of “He Is Beautiful”, added by Cleo Laine in a later version.  Although it is best known as the theme from ‘The Deer Hunter’, Stanley, Myers originally wrote it for piano, rewriting it for classical guitar at the request of John Williams in 1969, long before ‘The Deer Hunter’ was released.  [Thank you, Dave, for serenading me afterwards, but you knew what it was. As did Dougie, it seemed.  The same was true of ‘Fly Me To The Moon’, but I much prefer Sinatra!]

The second set began with the band playing the highly recognisable introduction to the Dave Brubeck Quartet’s ‘Take Five’, with its unusual 5/4 time signature, as the last few winning tickets were called on the raffle.  It was a good combination, almost like a rap.  Now you wouldn’t get that at Ronnie’s!  

The next song was, John informed us, “for the ageing rockers in the audience”, so I was ashamed to say that I guessed it pretty quickly from the original guitar riff – Deep Purple’s ‘Smoke on the Water’.  Sam Crockatt’s plaintive tone on soprano sax made ‘Moonriver’ instantly recognisable – audible sighs of pleasure were heard afterwards.

The pace accelerated as the set drew to a close, first with the old Broadway show classic, ‘You and the Night and the Music’. The urgency of the playing was offset by the easy swinging tone before the concluding song, ‘September’, from those masters of classic 1970s disco funk, Earth Wind and Fire.  A joyous celebration dedicated to frazzled parents across the land as the kids go back to school!

No set like this would be complete without a number by Dylan, so we were treated to a straight rendition of ‘Blowing in the Wind’ as a very generous encore from a hard-working band who gave us their all. 

Just to add that the band drove to and from Devon. There is dedication to the music. Also, many thanks to Webby from the Ipswich Drumming shop for the provision of John Parr’s  legendary drum kit.

Set list

  1. Clair de Lune (Claude Debussy
  2. Moondance (Van Morrison
  3. So What (Miles Davis)
  4. Cavatina – Theme from the ‘Deer Hunter ‘ (Stanley Myers)
  5. Fly Me To The Moon (Bart Howard)

*          *          *           *         *        *        *

  1. Take Five (Paul Desmond)
  2. Smoke On The Water (Gillan, Lord, Blackmore, Glover, Paice – the members of Deep Purple) 
  3. Moonriver (John Mercer/Henry Mancini)
  4. You and the Night and the Music (Howard Dietz/Arthur  Schwartz)
  5. September (Maurice White, Al McKay – two members of Earth, Wind and Fire)
  6. Encore: Blowing in the Wind (Bob Dylan)

Take care,

Steve and Dave

Thoughts on The Gaz Messengers, 11 May 2022

Now, that was a joy! Given who was in the band, it was going to be good, but it was exceptional. Gaz Hughes led from the drums. Bruce Adams brought both trumpet and flugel. Alan Barnes played tenor and alto saxes. Andrzej Baranek was our pianist, very special.  We had a wonderful dep on bass; Mike Reed. It was one of those sound checks where I learned a lot, as they went through the music. They were celebrating the great Art Blakey, and I am sure he would have been pleased with the gig.

We had quite a large (and very listening) audience. They all went home glowing. Our photog, Peter, was not able to be at the club (new hip, now recovering), but luckily, a photography student, Peter Bushby had asked to do a portfolio, so we used his shots. 

Thanks again to Steve Jordan for the beautifully annotated set list.

Take care,

Dave

  1. A Bitter Dose (Bobby Watson)
  2. Arabia (Curtis Fuller) Curtis Fuller was a trombonist and a Jazz Messenger between 1961 -1965
  3. Easy Living (Ralph Rainger) originally composed for a film of the same name in 1937. The song later became associated with Billie Holiday who recorded it for Decca in 1947 with her own orchestra.
  4. Crisis (Freddie Hubbard) Freddie Hubbard was a Jazz Messenger between 1961 – 1965.
  5. The Soulful Mr. Timmons (James Williams) Bobby Timmons was a jazz pianist in Art Blakey’s band between 1958-1961
  6. Caravan (Ellington/Juan Tizol; arranged by Art Blakey)

*          *          *           *         *        *        *

  1. Duck Soup (Art Blakey)
  2. One by One (Wayne Shorter)
  3. Body and Soul (Johnny Green) featuring Andrzej Baranek
  4. 10. A Wheel Within A Wheel (Bobby Watson)
  5. 11.We’ll Be Together Again (Carl T. Fischer)
  6. 12.Moanin’ (Bobby Timmons)

      ENCORE: Ping Pong (Wayne Shorter)