The trouble, you see, is that “Jon Shenoy” is not a well known name. Jon’s Draw by Four band came and gave us a delightful evening of straight ahead jazz in which the blues influence was clearly heard throughout, and the far too small audience had a great time. Some were even moved to get up and dance!
Jon Shenoy played tenor and soprano saxes. Will Bartlett played the excellent Viscount Legend organ that sounded just about like a B3. Guitarist Sam Dunn had mastery of plectrum and classical technique. David Ingamells, depping on drums, delighted us last week with Kate Williams, and again in a different context last night. The music was partly Jon’s, partly standards, in a nicely balanced programme. The balance was interesting as many of the songs were chosen on the fly.
Jon has an engaging connection to the audience. He doesn’t rabbit on, but gives us the information we need for each song. He is very generous, providing lots of blowing room for the band. I liked all of his own tunes, and loved some of them: he is a fine composer and an excellent arranger. I liked the way he wrote for duos between most combinations of the band.
And a very good player. He wrote “A Salinas Song” for his daughter Salina. The song is in 3/4. Jon had a stunning solo and a great set of 4s with Sam, on tenor for this song. “Whiskey and Rye” (two spirits in the same song?) was another great tune with a fine solo on the soprano.
Will Bartlett is a considerable organist. He was featured on Leon Carr’s “Marriage is for Old Folks”. The intro and solos were special. Will had a lovely intro on Jon’s “Three for Tea”. His playing throughout was superb. In the opening song of the evening, the organ sound hits you and sets the tone for the whole show.
Sam Dunn stood quietly at the back of the stage, but played his ass off (as Peter King would say). His duo with Jon’s soprano on Jon’s “Sickert Tales”, sometimes doubling, sometimes counterpoint, I loved his solo on Arthur Schwartz’s “You and the Night and the Music”.
It was great to see David Ingamells back so soon. He is one hell of a drummer, big ears, great skill. Lots of great solos, In Jon’s “Pedal Power” he had an extended intro that put me in mind of Evelyn Glennie’s solos on snare. His playing behind Sam’s fuzzed guitar on Jon’s “Night Trip” was just great (as was Sam’s solo).
We wish Carole a quick recovery from her broken ankle, so she and Mike can be back with us at gigs.
Next week, the master saxophonist Paul Booth will be with us.
We have Paul on saxophone, Steve Hamilton piano, Dave Whitford bass, Andrew Bain drums. Ronnie Scott has likened saxophonist Paul’s style to that of the late Tubby Hayes – and John Fordham to the lyricism of Stan Getz and John Coltrane. A gig not to be missed.